
Availability
Availability Label | Location | Shelfmark | Availability | Reservations |
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Cataraqui Centre | Non 759.11 Mon | On loan until: 10/Jun/25 |
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Comments and Reviews
Summary & Details
Full Record Details Table
Title Statement | Kent Monkman: history is painted by the victors / edited by John P. Lukavic and Léuli Eshrāghi ; with texts by Ned Blackhawk, Brenda J. Child, Léuli Eshrāghi and four others. |
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Alternative Title(s) | History is painted by the victors |
Author | Monkman, Kent |
Additional Contributors | Blackhawk, Ned |
Child, Brenda J.,1959- | |
Eshraghi, Léuli | |
Lukavic, John | |
Publication | New York: DelMonico Books,[2025]©2025 |
Extent of Item | 174 pages |
ISBN | 9781636811543 (hardcover) |
Other Number | pr07992221 |
General Notes | Includes index. Published on the occasion of an exhibition at the Denver Art Museum, April 20-August 17, 2025 and the Montreal Museum of Fine Arts, September 27, 2025-March 8, 2026. |
Contents | Directors' foreword and acknowledgments --Making images, rendering histories from here : Kent Monkman's history painting /John P. Lukavic and Lélui Eshrāghi --Kent Monkman's reverence for multidimensional two-spirit knowledges on the Canadian prairies /Adrienne Huard --Navigating a strange and wonderful future where queer and trans folx thrive : history lessons from Miss Chief Eagle Testickle /Bryan C. Keene --Imagining alternative historical possibilities : Kent Monkman's The Trilogy of Saint Thomas(2004) / Ned Blackhawk --Kent Monkman's big canvas in History is painted by the victors /Brenda J. Child --Like a velvet-covered war club : display and desire in Kent Monkman's luxurious imaginations /Patricia Norby --Works in the exhibition --Index. |
Summary | "Kent Monkman: History is Painted by the Victors presents the renowned Canadian artist's most iconic works, which challenge the art history of settler cultures, reframe historical and contemporary Indigenous experiences, and explore themes of gender and sexuality, environmental protection, and the impact of governmental policies on historically marginalized communities. One of Canada's most renowned artists, Monkman challenges the art history of settler cultures that colonized and erased First Peoples from this continent's art history, but he does so by absorbing many influences from the canon of European and Euro-American painting to reframe historical, contemporary, and speculative future Indigenous experiences. Monkman takes inspiration from the artworks of numerous Western artists, including George Catlin and Albert Bierstadt, and from the Old Masters, such as Rembrandt van Rijn and Peter Paul Rubens. His monumental history paintings canonize Indigenous experiences and honor what Chippewa theorist Gerald Vizenor aptly describes as Indigenous survivance, at once the material and spiritual conditions of survival and resistance--in the futures seeded today, the present survived right now, and the pasts that coalesce in us all despite received grand narratives"-- |
Subjects & Genres | |
By Topic | Cree painting--Exhibitions--21st century |
Indigenous peoples in art--Exhibitions | |
Indigenous peoples--Exhibitions--North America | |
By Name | Monkman, Kent |
Monkman, Kent--Criticism and interpretation | |
Monkman, Kent--Themes, motives | |
By Genre | Essays |
Exhibition catalogs |