The term "Love Language" can be read at least three ways: as an imperative, as the signoff to a letter, and as a contemporary way of talking about relationship styles. None of these would be wrong in this book. In his followup to Sky Wri Tei Ngs, written entirely in airport codes, Nasser Hussain moves toward a more expansive version of experimentation; in a time of physical lockdown, his pandemic poetics refuse to be confined. And so we have poems that repeat and hypnotize as English becomes more and more absurd, that compare an affair to a relationship with Apple, that list love poems the poet loves.